Jakob Kudsk Steensen is a Danish installation artist based in New York. Through his practice, Steensen is concerned with how imagination, technology and ecology intertwine, and he combines performance with virtual reality, satellite technologies, video and interactive installations as well as cartographic research. His work has most recently been exhibited at Carnegie Museum of Art, The Moving Image Fair, NYC, MAXXI, Museum of Modern Art in Rome, Museum of Modern Art Valencia, Podium in Oslo, Norway, and at Sleep Center in China Town, NYC. His work has been featured on Artnet, The Art Newspaper, Hyperallergic, Spike Art Quaterly, ARTREPORT, Politiken, Information, Worm, NEO2 and TSOEG. He has received awards from the Danish Arts Foundation, The Augustinus Foundation, and in 2016 he was a finalist for Climart. He has been artist in residence at Bemis Center for Contemporary Art, AADK, Centra Negra, MASS MoCA and BRIC (Brooklyn Media Arts Center).
2017: Paradisiac Ecologies, OK Corral, Copenhagen. Solo show.
2017: Styles and Customs of the 2020s, VR exhibition at Carnegie Museum of Art, commissioned by DIS Magazine x Scatter. Group show.
2017: Primal Tourism: Island, Moving Image Immersive Media Fair, NYC. Group show.
2017: The Extirpation of Animism, NY Media Center. Solo show.
2017: Sadness, curated by VNgravity and Janet40, Mexico. Group show.
2016: Insides Outsides,Jakob Kudsk Steensen, Ed Fornieles, Gregory Kalliche, Lawrence Lek, Sara Ludy, Clement Valla, at Hotel-art.us with www. sydneysydney.net, Sydney, Australia. Group show.
2016: BRIC Biennial, Brooklyn, New York. Group show.
2016: Istanbul Contemporary, "Primal Tourism", represented by the Moving image Fair - Immersive Media. Solo show.
2016: New Realities, Moving Image Fair, Istanbul. Group show.
2016: Territories Temporales, Centra Negra, Spain. Group show.
2016: Temple Video Festival, Temple University, Philadelpia. Group show.
2016: Eco-frames Ttravelling exhibition), Botanical Garden, Maynar Sur Seine, France. Group show.
2016: Tipping points, Jakob Kudsk Steensen, Joey Holder, Rachel Pimm and Andreas Ervik, curated by Angela Chan, Podium, Oslo. Group show.
2016: BNL, Media Art Festival, MAXXI, Museum of Modern Art, Rome. Group show.
2016: Eco-frames (Travelling exhibition), CAAM, Las Palmas De Gran Canaria, Spain
2016: Perverse Instantiations, curated by Carla Gannis, Project Space 184, Brooklyn. Group show.
2015: Eco- frames, IVAM, Museum of Modern Art, Valencia. Group show.
2015: Cartographies, shown at COAM- Colegia Oficial de Arquitectos de Madrid, Institute. of Architecture [National Institute of Architecture, Madrid]. Curated by AADK. Group show.
2015: Pin-up: Space and Place. Photo Hastings. Group show.
2015: A Cartography of Fantasia, Sleep Center, New York. Solo show.
2015: Fantasia, AADK, Blanca, Murcia
2015: FOCUS, festival for video-art, Nikolaj Kunsthal, Copenhagen. Group show.
2014: We Take No Responsibility, Udstillingsstedet, Q, Copenhagen. Group show.
2014: Media Memoirs, Shanghai Design and Art Festival, The West Bund Museum. Curated by Wang Xin. China. Group show.
2014: The Other Side, Copenhagen Artists Run Festival, OK CORRAL, Copenhagen. Group show.
2013: Invite Only, TAARNET, Copenhagen. Group show.
2013: PERSPECTIVES, Humanities Main Library, Copenhagen University. Group show.
2013: INTRANSIT, V22, London. Group show.
2013: The Convergence of the Twain, London Science Museum. Group show.
2017, May- November, Mana Contemporary Art Center, New Media Artist in Residence Program
2016, September- November, Bemis Center for Contemporary Art
2016, June- August: BRIC, Brooklyn Media Arts Center, NYC
2016, January: MASS MoCA/Assets for artist program in North Adams, Massachusetts
2015, May-July: AADK, (Aktuelle Arkitektur der Kultur Berlin/Spain), Spai
2017, July: CNN, "Virtually unknown, how to put a price on virtual reality art", http://edition.cnn.com/2017/07/25/arts/oliver-giles-vr-art/index.html
2017, April: How to make VR extravenganza? We went behind the scenes to find out. By Brian Boucher, ARTNEWS, Artnet. https://news.artnet.com/exhibitions/vr-artworks-artists-926351
2017, April: Virtual reality exhibit transports museum visitors to 2020s dystopia, Pennlive, http://www.pennlive.com/entertainment/index.ssf/2017/03/virtual_reality_carnegie_museum.html
2017, April: Carnegie Museum takes you to 2020 Dystopias in VR, VRSCOUT, http://vrscout.com/news/htc-vive-viveport-subscription-free-arcade-saga-download/
2017, March: Between Bells, (Primal Tourism: Island featured), interview with Edward Wincklemann and Murat Orozobekov, Cheddar TV.
2017, March: Moving Image Embraces virtual reality, by Sarah P. Hanson, The Art Newspaper. http://theartnewspaper.com/market/moving-image-fair-embraces-virtual-reality/
2017, March: VR gets experimental at Moving Image Fair, by Kyle Melnick. VRSCOUT. http://vrscout.com/news/vr-experimental-moving-image-new-york-2017/
2017, March: Fixed Bodies at the Moving Image Art Fair, by Tanner Tafelski. HYPERALLERGIC. http://hyperallergic.com/362298/fixed-on-bodies-at-the-moving-image-art-fair/
2017, February: Market for Virtual Reality gets tested at Moving Image Fair, by Brian Boucher. Artnet News. https://news.artnet.com/market/moving-image-virtual-reality-art-873725
2017, March: MIT Media. Interview about the use of haptics in TREE VR that I art directed: https://www.media.mit.edu/projects/tree/overview/
2017, February: "New realities", ART-SCENE.TV: http://www.art-scene.tv/en/news/details/datum/2016/09/23/new-realities-by-moving-image-immersive-media.html
2017, February: VICE Creators Project, Mexico: https://creators.vice.com/es_mx/article/janet40-y-vngravity-quieren-eliminar-la-brecha-entre-lo-fisico-y-lo-digital
2016, December: http://www.wcpo.com/news/insider/new-years-eve-at-21c-museum-hotel-will-be-an-immersive-virtual-reality-celebration
2016, November: Village Voice, November 23, Review of my work "Terratic Animism" as part of BRIC Biennale on Affective Bodies.
2016, November: Information, November 18, ’Vi er i en fucked up æra i Tyrkiet. Og kunsten må ikke tale om det"
2016, November: Terratic Animism on Sciencefictional.net, blog by The Guardian Art Critic and curator Andrew Frost
2016, November: The Artsy Bog on Istanbul Contemporary and my work Primal Tourism
2016, November: Milliyet.com, Çağdaş İstanbul’un sanat nefesi, on my work Primal Tourism shown in Istanbul
2016, November: Randian-Online about Istanbul Contemporary. Picture repotage of Primal Tourism VR. http://www.randian-online.com/np_market/contemporary-istanbul-2016/
2016, November: Terratic Animism mentioned on BKreader as part of BRIC Biennaial
2016, September: Art-scene.tv on Moving Image Fair: Immersive Media in Istanbul and my work Primal Tourism
2016, August: Video interview by John Carluccio for QINUA, Brooklyn
2016, August: Interview by Delphine Douglas for BRIC, blog
2016, March: TSOEG- Extensive interview by Luce Choules on the role of field work in my practice
2016, March: Spike Art Quaterly, The Body, issue 47 together with Anselm Franke, Lu Yang, Ian Cheng, Hannah Perry, Stelarc, Bernhard Wilhelm
2015, November: WORM, interview by curator and writer Angela Chan on "Decay, Ecology and Technology" on my work A Cartography of Fantasia
2016, April: ARTREPORT- review of Perverse Instantiations at 184 Project space in Brooklyn, NYC
2016, April: AQNB, brief description of the group exhibition Tipping Points
2015, October: NEO2, text (in Spanish) on relationships between financial speculation, ecology and technology in my work
2015, July. The Diplomat, "The work of Danish Artist Jakob Kudsk Steensen in Spain".
2015, July: La Opinion, Spain, "El Centro Negra celebra una jornada de puertas abiertas con sus artistas residentes"
2015, February: Review by Danish critic Torben Sangild in Politiken
CONFERENCES AND PRESENTATIONS
2017: "The Next Storytelling Frontier: Accessing New Realities with Emerging Technology", moderated by Sarah Wolozin, Director of MIT Documentary Media Lab. Rus Gant, director of Harvard Visualization Reseach and Teaching Laborator, in discussion with VR artist Jakob Kudstk Steensen, Bill Lange director of center for advanved imaging and visualization laboratory WHOI (woods hole oceanic research institute) and Carla Borras from FRONTLINE. Woodshole Film Festival, 2017.
2017: Imagination, technology and ecology - on the importance of real world explorations for VR development, expert talk at The Creative Techweek, NYC
2016: Primal Tourism, artist talk at University of Omaha, department of Fine Art and Art History
2015: Future Ecologies, talk as part of Natalie Jeremijenko's university course on ecology and architecture at Tisch School of Arts, NYU
2015: Utopian Tourism, Dome of Visions, Copenhagen
2014: ”Aesthetics as the science of expressions”, A Symposium on the Dialogic Imagination, Central St. Martins, School of Fine Arts, University of the Arts London.
2014: ”Romantic Media Studies”, POPMODERNISM, NSU Winter Symposium, Stockholm University.
2016: Kunststyrelsen Danmark (The Danish Art Foundation), working grant
2015: Kunststyrelsen Danmark (The Danish Art Foundation), Sponsor of my residency and work production at AADK, Spain
2015: Noerrebro Lokaludvalg, sponsor of my exhibition Anti-Humanism
2012: Augustinus Foundation, sponsorship of tuition fee at Central St. Martins, School of Arts and Design, London
2011: Erasmus Grant for new media studies at Vrije Universiteit, Amsterdam
2009: NORDIC CENTER SHANGHAI, Sponsored PARTICIPATION at Fudan University, China
2015: Copenhagen Speed-show #1, net-art exhibited at a net-cafe in Noerrebro, Copenhagen.
2015: 8-bits of Anti-Humanism with Lu Yang, Meneo and Goto80, Science Friction, Copenhagen.
2015: Anti-Humanism with Lu Yang. Ok Corral, Copenhagen.
TREE VR, shown at Sundance and TriBeCa Film Festival
2012-2014 MA Art. Copenhagen University
2012-2013 MFA (PG-cert) Central St. Martins, School of Fine Art
2009-2012 BA. Art in Art and New Media, Aarhus University
2011 Erasmus student, New Media Studies. Vrieje Universiteit, Amsterdam
2010 Exchange Student, Art, Fudan University, Shanghai